2011»Papers online and in print

Print publication

Dunn, S. with J. Bowen and K. Ng (eds.). EVA London 2011: Electronic Visualisation & the Arts. Proceedings of a conference held in London 6-8 July. BCS, The Chartered Institute for IT, 2011.

Hard copy publications are only available to conference delegates

Online publication

EVA London 2011: Electronic Visualisation and the Arts
Published online by the BCS: The Chartered Institute for IT, in the series: Electronic Workshops in Computing (eWiC)

Links to papers

Plenary Session: The three dimensions

Reconstruction of Historic Landscapes
Paul Richens and Marion Harney
From the dome of heaven to a cupola in space: re-engaging with imagery and symbolism through 3D digital art installations
Nick Lambert
Optical Measurement Techniques for multi-dimensional measurement of Cultural Heritage
Stephanie Adolf

Plenary Session: Museums: technologies and interactions

Handheld handholding: small-screen support for museum visitors
Sarah McDaid, Silvia Filippini-Fantoni and Matthew Cock
'Universal' access in 3000 years? The Digital Collections of the State Hermitage Museum
Oluwaoyin Sogbesan and Natalia Grincheva
'Things': a case study in getting from accession to online display in 60 minutes
Danny Birchall
Museum Learning 2.0: How (can) Web 2.0 technologies be used for enhancing the museum learning experience?
Koula Charitonos, Canan Blake, Eileen Scanlon and Ann Jones

Plenary Session: New digitizations

Fishing with sound: An aesthetic approach to Visualising our Maritime Heritage
Chris Rowland
3D Weather - Towards a Real-time 3D Simulation of Localised Weather
Anthony Head
Understanding digital-altered photographs through photographers' views of reality: Matt Siber as an example
Yi-Hui Huang
The Devil is in the Detail
Richard Laing and Johnathan Scott

Parallel Session: Social Networking

'Kiki Salon Presents...': A Journey into Conceptual Brand and Product Development utilising Social Networking and New Media to Analyse Issues of Diversity, Authenticity and Collaborative Practices in Art and Design
Rob Burton
On the Beach - A handbook for using 3D virtual digital platforms like Second Life - 'the WEISL' - 'Writing Explorations in Second Life'
Maureen Kendal and Alan Hudson
Combining Cultural Heritage Related Web Resources in 3D Information Landscapes
Doron Goldfarb, Max Arends, Josef Froschauer, Dieter Merkl and Martin Weingartner

Parallel Session: Demonstrations

Guest Login - Visitor-centred Information Design
Jan Wojdziak, Martin Zavesky, Ingmar S. Franke, Christian Lambeck and Rainer Groh
Whispers of The Still City
Parjad Sharifi
Marilli Mastrantoni and Evangelos Haviaris

Plenary Session: Virtual Worlds

3D Spatiotemporal Reconstruction of Places and Events for Digital Heritage
Paul Hazelwood, Amanda Oddie, Steve Presland and Brian Farrimond
Applying Deductive Techniques to the Creation of Realistic Historical 3D Spatiotemporal Visualisations from Natural Language Narratives
Amanda Oddie, Paul Hazelwood, Brian Farrimond and Steve Presland
The Garden of Ideas
Simon Elliott
Keynote Paper
Digital Publishing: tension and attention
Paul Squires

Plenary Session: Visualisation of Spaces

Embodied Airborne Imagery: Low-Altitude Urban Filmic Topography
Amir Soltani
ICON: Authentic 3D Cultural Heritage Models for the Creative Industries
Richard Beales, Ajay Chakravarthy, Sam Kuhn, Steve Luther, Michael Selway, Mike Stapleton and James Stevenson
The Visualization of Mass Information in Social Network with a Holistic View
Xin Li, Xia Zhang, Peng Cui, Zhiyong Fu, Shiqiang Yang and Baoguo Cui
An Alternative Approach to Conserving Digital Images into the 23rd Century
Graham Diprose and Mike Seaborne

Parallel Session: 3D Imaging Technology

Virtual 3D Object Imaging for Cultural Artefacts: Demonstrator
Richard Collmann and Dirk van der Knijff
Pixels and Parchment: The Application of RTI and Infrared Imaging to the Dead Sea Scrolls
Moshe Caine and Michael Magen
Reflectance Transformation Imaging Systems for Ancient Documentary Artefacts
Graeme Earl, Philip Basford, Alexander Bischoff, Alan Bowman, Charles Crowther, Jacob Dahl, Michael Hodgson, Leif Isaksen, Eleni Kotoula, Kirk Martinez, Hembo Pagi and Kathryn E. Piquette
Visualising an Egyptian Artefact in 3D: Comparing RTI with Laser Scanning
Lindsay W. MacDonald

Parallel Session: Education and Philosophy

Technologies of seeing the past: the Curzon memories App
Charlotte Crofts
Digital Simulation: a new kind of artifice?
Colette Tom
The architecture of the image
Karen Cham

Parallel Session: History

Virtual technologies for archeaological studies of Nolla's ceramic mosaics
Xavier Laumain, Angela López Sabater and Carlos Huerta Gabarda
What architectural historians can learn from augmented reality technologies?
Tessa Morrison and Ning Gu
3D reconstruction of Cimmerian Bosporus painted crypts
Elena Logdacheva, Yuri Vinogradov, Sergei Shvemberger and Nikolay Borisov
Semantic browsing: a new way to explore and discover heritage treasures
Alan Payne, Peter Fry, Heather Lane, Robert Smith and Julio D'Escrivan
An online colour naming workshop
Dimitris Mylonas and Lindsay MacDonald

Plenary Session: Digital Art

Revisiting interactive art systems
Sean Clark
Encounters in the archive - capturing the experience of the interaction between the artist and the archive
Donatella Barbieri
Interactive wallpaper (Panel Session)
Azadeh Mohammadi and Taraneh Meshkani
Keynote Paper
Museums, new media art, documentation and collection
Beryl Graham

Plenary Session: Performance Technology

Capturing stillness: visualisations of dance through motion/performance capture
Ruth Gibson
Mobile notion: multimodal device augmentation for musical applications
Matt Benatan, Ian Symonds and Kia Ng
Capturing and Visualising Playground Games and Performance: A Wii and Kinect based motion capture system
Grethe Mitchell and Andrew Clarke

Parallel Session: Performance

Curating performance installations
Daniel Felstead and Kate Bailey
TOYs - interactive AV performance
Paul Wiersbinski

Parallel Session: Demonstrations

3D modelling of an important symbol of orthodox wooden churches: the imperial gates
Radu Moraru, Oana Gui and Pr.Ioan Chirilã
Tratado de imágenes (for live trio and video track)
Iñigo Giner Miranda
Birdsong for prisoners
Joe Osmond

Plenary Session: Visualisation and the arts

The Joy of Visual Metaphors
Veronika Reichl
The Apple Barrier: an open source interface to the iPhone
Tom Keene
The photograph as a cultural arbitrator in the design of virtual learning environments for personal and social education for children and young people
Susan Jane Jones and Lynne Hall

Conference exhibition and research workshop

Sensitive Rose and the Cross-media Era
Martha Gabriel
The Norse Myth of Odin - digital art series on thought and memory
Seana McNamara
Lucha Libre: visualizing behind the mask
Javier Pereda
Digital rejoinders: time and place, hither and thither, war and peace
Mikel Horl
Typographical Experimental Research in AudioVisual Spaces [T.E.R.A.S. lab]
Anastasios Maragiannis and Emmanouil Kanellos
The lo-fi phenomenon - analogue versus digital in the creative process
Phil Taylor
Sustainable Digital Access to Cultural Heritage: Organizational, Financial and Policy Challenges
Eva Van Passel
The Augmented Tonoscope
Lewis Sykes
Evaluating 'Tangible Pasts': A Mixed Reality Application for Cultural Heritage
Angeliki Chrysanthi, Constantinos Papadopoulos and Tom Frankland
Abstract Animation and the Art of Sound
Joe Osmond
Moving Along: performance and moving-image as contemporary media of a global circulation of culture
Renata Gaspar