2010-2006»2010»Papers online and in print

Print publication

Seal, A. with J. Bowen and K. Ng (eds.). EVA London 2010: Electronic Visualisation & the Arts. Proceedings of a conference held in London 6-8 July. BCS, 2010.

Hard copy publications are only available to conference delegates

Online publication

EVA London 2010: Electronic Visualisation and the Arts
Published online by the BCS: The Chartered Institute for IT, in the series: Electronic Workshops in Computing (eWiC)

Links to papers

Session 1: Electronic arts

Discovering digital cultural capital in London’s events of art and technology: reviewing the last decade
Alicia Bastos
Legal networks: visualising the violence of the law
Jeremy Pilcher
The online potential of art creation and dissemination: DeviantArt as the next art venue
Almila Akdag Salah
KEYNOTE: Beyond seeing is believing
Peter Cochrane

Session 2: Data, art and time

Visualisation of live code
Alex McLean, et al.
Anticipation in networked musical performance
Pedro Rebelo and Robert King
Beyond abstract film: constructivist digital time
Ernest Edmond
KEYNOTE: Tracking interactions: new ways of finding value in the use of museums
Seb Chan

Session 3: The digital museum

A new media approach: visualisation of a digital exhibition. Research on representation and design of cultural interfaces
Blanca Acuña
Exploring the digital commons: an approach to the visualisation of large heritage datasets
Sam Hinton and Mitchell Whitelaw
Context for costumes: faceted access to historic costumes
Arden Kirkland, et al.

Session 4: Digital museum 2

A third space: reconsidering issues of neutrality and accessibility in the virtual art museum
Theopisti Stylianou-Lambert and Elena Stylianou
The constructivist museum and the web
Yvonne Hellin-Hobbs
Dulwich OnView: an art museum-based virtual community generated by the local community
Ingrid Beazley, Jonathan P. Bowen, Alison H.Y. Liu and Sarah McDaid
Augmented reality for interpretive and experiential learning
Steven Snyder and Karen Elinich
A system for the investigation of cracks
Luciana Bordoni and Giuseppe Moscara

Session 5: Art through evolutionary computation

Exploring Duchampian and Darwinian ideas through interactive means
Dew Harrison
Integration of user-centred evolutionary computation with digital visualisation
Barry Dean and Ian Parmee
The evolution of architectural forms through computer visualisation: muqarnas example
Mohammad A Yaghan
Exploring Persian rug design using a computational evolutionary approach
Arefe Dalvandi, et al.

Session 6: Digital art issues

Photography as a tool of alienation: Aura
Murat Germen
Using a projected Trompe L'Oeil to highlight a church interior from the inside
A Hoeben
Simulated-3D visualisation of artefacts using a portable electromechanical object rig
R Collmann and A Borda
The limits of resolution
Lindsay MacDonald
Keynote paper
KEYNOTE: Digital preservation: terminology, techniques, testing and trust
David Giaretta

Session 7: Digital art issues

Creative identity theft: issues for artists in collaborative online environments
Gregory Sporton
Are digital picturings representations?
Annamaria Carusi, et al.

Session 8: Electronic resources for the public

Mixed reality and curatorial design: from existing practice to the nomad_tech museum
Jules Moloney
Meta-Image - a collaborative environment for the image discourse
Lisa Dieckmann, et al.
Let me understand the poetry: embedding interactive storytelling within panoramic virtual environments
Karol Kwiatek and Martin Woolner.
Digital image archives as public artwork and community engagement
Sylvia Grace Borda

Session 9: Music and art

MiMic: a motion control interface for music
Matt Benatan, et al.
Voice interfaces in electronic art
Martha Gabriel
Interactive multimedia rocks for geology
Kia Ng and Bee Ong
MusicalNodes, the visual music library
Lisa Dalhuijsen and Lieven van Velthoven
KEYNOTE: The ceramic age: a gloss on depth
Alan Read

Session 10: Digital performance

Implementation and development of sculptural interfaces for digital performance of music through embodied expression
Richard Hoadley
Eye.Breathe.Music: creating music through minimal movement
Sam Bailey, et al.

Session 11: Digital arts practice

The valuation of emerging media arts in the age of digital reproduction
David R. Burns
Media archaeology in art practice
Chris Cornish
Virtual worlds as art practice: EvoArt methodologies
Rui Filipe Antunes and Frederic Fol Leymarie
Architectonic influences of multimedia and their spatial significance
Anne James and Dai Nagasaka
Renewing knowledge structures for Media Art

Session 12: Digital perceptions

Face, portrait, mask - using a parameterised system to explore synthetic face space
Steve DiPaola
Motion Studies: an art and science collaboration
Fernanda D'Agostino, et al.
Capturing worlds
Julie Innes

Session 13: Art in the digital age

Flesh for fantasy: the future of sadomasochism and performance art in virtual worlds
Lisa Newman
The relevance of traditional drawing in the digital age
Phil Hawks

Session 14: Digital understandings of the past

Reconstructing the Music Hall Rotunda and Annex at Vauxhall Pleasure Gardens c. 1764
Stephen Caffey, et al.
New light on old stone: recording and reinventing visual culture
Martin Crampin

Session 15: Experiencing history

Re-connecting visual content to place in a mobile guide for the Shrine of Remembrance
Wally Smith, et al.
Just in time: defining historical chronographics
Stephen Boyd Davis, et al.
Ideas and influences
Tony Longson